Walt Disney’s vision of the future is still inscribed on a plaque at the entrance to the world’s first Tomorrow- land in California’s Disneyland built in the 1950s. It says: “Tomorrow offers new frontiers in science, adventure and ideals.”
Sixty years later, Mellissa Berry, Scot Drake and their colleagues have been planning what that future now looks like to create the new Tomorrowland for Shanghai Disney Resort. The result will become the sixth Tomorrowland in the worldwide Disneyland network.
“We didn’t want to refer to any exist- ing architecture as we worked to create a whole new tomorrow world,” Berry, executive producer at Walt Disney Imagineering Shanghai, told Shanghai Daily.
A former TV and film producer, Berry has been working on the Shang- hai Disney project for over five years. She and Drake, executive creative di- rector of the new Tomorrowland, have worked with a group of Imagineers from all over the world to brainstorm the concepts of a future world and turn them into physical structures.
It is a Disney tradition to set up a centerpiece themed land to showcase Walt Disney’s great vision for a big and beautiful tomorrow. There are versions of Tomorrowland in Florida, California, Paris, Tokyo and Hong Kong. The Walt Disney Imagineering Shanghai team aims for the Shanghai iteration to offer a new vision into the future.
To achieve their “tomorrow” goals, Berry and Drake set off in 2009 with other Disney Imagineers to scour cities around the world looking for inspiration.
They went to the Eden Project in England where plants are collected from around world. They visited the famous gardens in neighboring Suzhou and experienced the West Lake show in Hangzhou. They also attended World Expo in Shanghai several times in 2010.
“When we first set foot in Shanghai, we were amazed to find the city itself has been a world of the future,” Drake said.
They also then realized the chal- lenges they faced. The local population was already technologically savvy, he added.
They invited scientists and envi- ronmentalists to become involved in their brainstorming to ensure the best thinking and designs were considered. Berry and Drake also visited Yuyuan
Garden, studying the architectural philosophy behind Chinese landscape design.
“We analyzed the multi-level build- ings, how the pathways unfolded, the moon gates and the shade areas in this historic city garden,” Berry said.
“While there would be no direct reference, we wanted to interpret this ancient design philosophy in a modern way.”
A feature of Shanghai’s Tomor- rowland will be the world’s first Tron Lightcycle Power Run, a roller-coaster- style attraction that involves patrons boarding two-wheeled lightcycles on a high-speed, indoor-outdoor track.
Visitors can also join the new target-shooting adventure called Buzz Lightyear Planet Rescue, break the bonds of gravity on Jet Packs, and celebrate the entire Star Wars saga. The Stargazer Grill restaurant will offer spectacular views of Shanghai Disney Resort as well as the stage below.
An architectural highlight of the complex, the Lightcycle track is cov- ered by a massive, undulating canopy. The entire covert is edged with a dra- matic, blue-green ribbon that changes color as it rolls across, “like the tail of a dragon,” said Berry.
“Guests waiting to board will have fun imagining a future world as they listen to the evocative soundtrack and watch the Lightcycle trains twist and turn all around them, all under a color-shifting canopy,” she said.
To create the canopy that Berry said “embodies harmony with nature” and will be like landing lightly on the earth, the team used many cutting- edge design tools.
“Even the technology has progressed rapidly since we first started the proj- ect,” Drake said.
One of the major new tools is called “DISH,” or Digital Immersive Show- room, and it allows Berry, Drake and the project team to wear 3D glasses and walk on the virtually-simulated project.
“When we step onto the completed attraction after it’s built, we will feel like we have been there before,” Drake said.
The tool is a favorite of Drake who taught digital painting at a California college for seven years. He said it allows designers to “experience” the theme park to ensure the buildings and attractions are perfect. Drake has been working for Disney for 16 years. Before the Shanghai project, he was art director of the 3D simulator attraction Star Tours: The Adventures Continue, and other Disney projects in Florida.
“Before working for Disney, I had always visualized the future and thought about what it could hold,” he said. “So the Shanghai project is a perfect opportunity for me to discover what tomorrow can be.”
Berry relocated to Shanghai from the United States in June 2014 and since then has been immersed in working with the local Imagineering team, local vendors, contractors and artists.
“It was eye-opening for me to work with so many talents from different fields,” she said.
After the resort’s grand opening in spring 2016, in Pudong’s Chuansha Town, Berry said she would take a vacation and spend a week touring around the resort. “I am going to be just like a five-year-old kid experienc- ing the park,” she said.
Drake’s first daughter was born five years ago, when he initially started working on the Shanghai Tomorrow- land project, and a second daughter also has arrived. He hopes to bring both girls to see his Tomorrowland once it opens.
“The world would become a better tomorrow if people could be more creative and maybe inspired by Tomor- rowland,” he said.